Category: Europe

Transports of delight

Dougie Muego (first published in 2017 and revised January 2026)

Leipzig Hauptbahnhof and “Bach im Leipziger Bahnhof” (the annual Bach Festival)
Leipzig
Leipzig itself, is an attractive place. It has been ranked as the most liveable and the most attractive city in Germany. It has a very high quality of living. It is also noted as a centre for shopping and food. The city is a thousand years old. It has a 15th Century university that is the students’ favourite, and since the 1490s, the city has been famous for its trade fairs. The older city centre dating from the 16th century attracts many visitors and is charming to walk through.
City reconstruction began after wartime damage as part of East Germany. After reunification it continued. The collapse of many of the city’s traditional businesses and activities led to economic decline. The population shrank, but has now stabilised at about half a million. Since then, the city’s fortunes have revived and now Leipzig is seen as something of a magnet city, attracting jobs and investment.
Today Leipzig is a growing, thriving and ambitious city of just over half a million people, noted for its lively arts scene. It is also a major transport hub, integrating air, train, tram and bus. This is interesting for a Scot, who is frequently exhorted to use public transport more and the car less. Leipzig station has 120,000 users per day, about the same as both of Glasgow’s stations combined, but twice that of Edinburgh, although the cities of Glasgow and Edinburgh are roughly the same size as Leipzig. The huge city tram network is 92 miles long. This is where Leipzig stands out.
It also has a very well developed cycle network which adds to its popularity. If we are serious about growing a greener economy and increasing prosperity in Scotland, we need the attitude and commitment shown in places like Leipzig.
Among its former famous inhabitants are the philosophers Karl Wittgenstein and Gottfried Leibnitz, together with the painter Max Beckmann, the poet and philosopher Goethe and Mendelssohn, the composer. Then of course there’s Bach. JS Bach worked in Leipzig between 1723 and 1750.
Leipzig has an annual “Bachfest Leipzig” music festival. This celebrates the work of one of the world’s greatest composers and perhaps the city’s best known inhabitant. I’m sure its also very good for tourism.
The station
Leipzig Hauptbahnhof is one of the world’s largest railway stations. It has 19 platforms and a spectacular facade which is 298 metres long.
It is also a much changed place with a complicated history. It was begun in 1909 and finished in1915, but during WW2 bombing, the concourse roof collapsed and the western entrance hall was destroyed. Full restoration took until in 1965. Following German reunification, the station was modernised and a shopping mall and two basement levels were added.

multi-level-concourse

Today, the older building with it’s roof supported by those big stone arches, now covers a new, modern multi-level concourse.

concourse-platform-elevator

The modified station building was inaugurated in 1997, then two underground railway platforms were added in 2013 and a billion Euros has recently been spent on the Leipzig city tunnel.
This will integrate into the larger new rapid transit network, Berlin–Leipzig–Nuremberg–Munich, a very ambitious infrastructure project.  Here is a description of the project
Today however, on the outside, the facade is once again grand, stately and rather beautiful and the interior is just an amazing space to explore.

platform

A diversion-The cake

As you can see, we did and we eventually found the cake shop- all it takes is a little persistence!

cake

 

Our verdict?  Well yeah- OK, it’s not Mendls “Courtesan au chocolat” but it was very, very seriously good none the less.

To me this whole redevelopment is a successful hi-tec intervention which matches and in some cases surpasses the scale of this grand old building.

concourse-access

Throughout our visit we had the feeling that this was a renovation which has “been properly done”. The ambition of the design and quality of the work speaks for itself. It was also sensitive to the feel and history of the building and the wishes of Leipzigers.
The Music- Bach im Bahnhof

west-hall-and-multi-level-access

On the left of the picture below, you can see the performance area, with the concourse above. Anyone passing by can see the players and hear the music.

a-glimpse-of-the-preformance-space-beneath-the-main-concourse
Right in the heart of all these new works, down in the multi level concourse, in June 2016, was the “Bach im Leipziger Bahnhof” music programme. The station’s own programme of free events as its contribution to the city’s annual Bach festival.
Perhaps you might think it strange that a railway station would be home to a concert programme, but “Bach im Bahnhof” perfectly complemented the railway station. A well organised and free daily music programme of took place quite matter-of-factly in the very heart of one of the busiest railway stations in Germany. 120,000 users pass through each day, roughly the same as Glasgow’s two railway stations combined, (yes! imagine if you had this railway station in Glasgow). It offered travellers a brush with culture during the hustle of a journey, and so culture had a chance to engage with daily life. The programme was also good enough to attract visitors to the station.
On the day I visited, beginners classes in violin and cello were showing everyone what they could do. For the kids it was a great showcase in a huge venue.

Here is a performance clip I made.
Learning violin isn’t easy, and these kids were great! I would guess that they were only about seven or eight years old, yet they held it together really well.
Why does that matter? Because acquiring that level of skill at such an early age is empowering. Having the opportunity to successfully perform in public, in a place like that will, I’m sure, will be remembered long after the event.
Also, learning good things about what we can do as we grow up, helps us to become confident adults. Its just such a social good.
Something you notice when you’re abroad is that Europeans have a seriousness about music, about its importance and value. Casual event performances (for example the bands at a summertime Bavarian open air fête day with fireworks in the evening) often have a much higher technical skill than you can casually find here, and the range of instruments is usually broader as well.

Infrastructure
We toured in and around Leipzig. It was a revelation to see how much infrastructure investment is flowing into German transportation links. With its airport, three motorways surrounding the city-borders and several high-speed railway links to all major cities in Germany, Leipzig is an easy-access city. The billion Euro rail tunnel is only a fragment of a much wider scheme to upgrade the Central German Regional Railway Network, and improve connectivity in Central Europe. (ERDF) is underpinning the EU Central Europe programme. Scottish infrastructure spending, so long choked off by the UK government, is just beginning to transform Scotland and some of this is contingent on ERDF funding. The Scottish Government currently has 6 billion Pounds worth of infrastructure being constructed in Scotland today. That includes our new local hospital in Dumfries (£200million), the Queensferry Crossing (£1.4billion) the Shieldhall tunnel- a new sewer for Glasgow (£250million), the M9 upgrade(£450million).
The Scottish Government also has future infrastructure plans which would depend in part on getting ERDF funding.
This is the sort of investment which Brexit will put at risk.
In Leipzig as in Scotland, If your government really cares about your country’s future, it shows. Actions speak louder than words.

Postscript

Since Brexit and since I wrote this piece in 2017 the Scottish Railway network has had some funding and the infrastructure has been improved. I’m not a railway buff, I don’t keep up with all the changes, but I do use the Lockerbie to Edinburgh service occasionally. Something which I missed out in my Leipzig piece was the connectivity of the S-Bahn, the underground service. Consider Glasgow’s much liked ” Clockwork Orange” underground service. One loop and fifteen stations. This loop does not directly connect with the two overground stations. There is an extensive central belt rail service running. Glasgow has a complex bus network. I also thought I should offer a very brief comparison with how Glasgow’s Railway Stations appear today. I have omitted the exteriors, but here are a couple of views of the interiors of Central and Queen Street Stations. Perhaps that helps to make the point.

On the left is Queen Street waiting area, and on the right is Central Station waiting area

Although I have made more reference to Leipzig’s extensive S-Bahn (underground rail network), I had not illustrated it. An extensive network diagram can be found (here) and a simplified version is shown below.

 

 

My thanks to Michael Kümmling for permission to reproduce this diagram.

By Michael Kümmling – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2035546

the Sonneveld house

written in 2017 and updated January 2026

      An article about something exquisitely beautiful, but with a sting in the tail.

“If you decide to visit it, remember to bring your suitcases, as you’ll want to move in straight away!”

Sonneveld house

The Sonneveld house

 

The Sonneveld house – by Brinkman and Van der Vlugt, Rotterdam, 1933
The building has stylistic links with Le Corbusier, De Stijl and German modernism. It is also has an industrial link. Sonneveld was a director of the Van Nelle factory which was used to produce metal components for the building.

A compact, private detached town house for the family of a wealthy industrialist which includes living space for servants.

Perhaps not so well known here, but a real gem of European modernism.
The fabric of the building and the contents have recently been restored and appear as they did in 1933. Throughout the building there is evidence of great thought as to the suitability and provision of each convenience. Extraordinary care has also been taken during the sensitive and painstaking restoration

The Sonneveld house is essentially a rectangular box shape with additions. It is over three floors and it also has a small basement and roof terrace. It has a flat off-white exterior surface with silver coloured metal detailing, black exposed steelwork and extensive tiling to ground floor. Those facades facing the streets nearby are mainly blank and offer privacy while those facing the garden have generous windows. sonneveld-front-corner-2There are separate service and owner entries. There is a lovely exterior spiral staircase which leads down into the garden.
staircase-to-garden
Metal detailing is prominent in the rear elevation. rear-view-of-sonneveldWindow and door modules are carefully fitted almost flush with their facades. Each window module has an external blind cassette incorporated for shade. Most noteworthy is how the parapet rail to the first floor terrace becomes the spiral stair handrail.

The simple exterior hides a fairly rich and complex interior subdivision. There are an entry, office, service areas and a garage on the ground floor. Living and bedroom spaces are on the floors above. These spaces are beautifully detailed.

 

corner of office and window to garden
corner of office and window to garden
office desk
office desk

More on-line images of the Sonneveld house can be seen here.

Here are a few more of our own photographs.
Colour is a an important feature of this house. Rooms are colour themed. This is the the yellow dining room. It has red accents.

the dining room viewed from the first floor terrace
The dining room viewed from the first floor terrace.

There are individual architect-designed room colour schemes throughout. Most of the furnishings are also original.
So most unusually, one can see the entire original colour scheme, and one can see how extensively the architect used colour as part of a modernist design scheme.

red dining room trolly
red dining room trolly

The glassware included in the dining room display cabinet was also locally produced. Examples of similar wares by these manufacturers appear occasionally on the present day Netherlands second hand market for modest prices.

dining room glasswear
dining room glassware

Here is a maid’s bedroom

servant's bedroom
maid’s bedroom

Notice how the same bed, table and chair type is used by all the house inhabitants.

Work areas are red Here is a kitchen detail.

the dining area used by the servants
the dining area used by the household staff
master bedroom furniture
master bedroom furniture

Gispen manufactured much of the furniture in the building including these beds in the background .  A similar version of this chair is still in production. Today the Gispen factory in Delft still produces furniture. Many examples of their furniture can be found on-line.

The garden is as was established in the early 30’s. It is simple with quite a lot of lawn and bushes used for perimeter screening to the rear, and as a lower boundary definition to the front.

rear garden view
rear garden view
office window to rear garden
office window to rear garden

 

Because the construction methods and materials date to the 1930’s, a great deal of renovation has been done. In the book produced by the Netherlands Architecture Institute a telling detail is the nationality of enormous number of firms involved in restoring and refurbishing Sonneveld house, These include Project management, Supervision, Providing public information, Advising on Restoring, Advising on Refurbishing, Restoration work Main Contractors, Restoration work Sub Contractors and Suppliers, Refurbishment work and Suppliers and finally Lenders and Donors. All of these, with one exception, are Netherlands firms or organisations with Netherlands addresses.

To the thoughtful person, this building is an example of many things. Foremost, is an example of true modernism at work, linking ownership, manufacturing, design and utility.

This building also reveals the Netherlands in microcosm.
The entire project from its origin in the 1930s through to its renovation is an example of Dutch confidence and competence. In it’s own way this building shows how the people of the Netherlands think about themselves and their place in the world. It’s clear that they are quite capable doing these things themselves, that they have the resources, skills and training to manage and complete such a project with little, if any assistance from other nationals.

It also shows how successful people in European cities may be able think differently to their British or Scottish counterparts.

This may seem like the country house in the town, but couldn’t be more different from the British Imperial Model of a country house. There are no Classical porticos, no fake grandeur. It’s beautiful, practical, modern and usable. It was the first house in Rotterdam with a fully equipped, built in garage. So this is no-fuss high quality private domestic architecture in the city, right there on the street, with easy public access. The building’s position included the owner in society rather than excluding him from it and hiding him away in a private estate in the countryside. A statement of belief in the city, the individual, aspiration, success; an example of the successful citizen in society- engaged in and part of the modern world. Of course this quality of private architecture in the heart of a great city enhances the standing and the status of both.

It is also an example to we Scots as to how how we could do better. How we could contribute to revival of run down Scottish towns centres and the attractiveness of Scotland’s cities. Where are the projects in the pipeline or recently constructed which do just that?
Then there’s the house’s furniture and manufactures.
Are our education systems, designers and architects and the Scottish business world able to produce to this quality without reaching beyond Scotland’s borders to do so?
When can we expect reasonably priced home-designed and mass-produced examples made in Scotland, which we can accept and be proud of, made by present day Scots and which will astonish and delight the world? Where and how will these people receive the craft and organisational training to enable them? And if you said to me that in various forms, these things exist in Scotland, how do we pull them together to make it all happen?
This building can cause me to think about many things. What can our response be to a proposition like this? 

Can a different response be made? One which looks towards a better Scottish future?

D

Postscript. 

I wrote this in 2017.

Since then, decline in our towns has become more obvious. Are we Scots more aware now of the need to nourish our best architecture, to preserve and to surpass it with exceptional new buildings? Reviewing this article and asking how Scotland promoted good design today, I felt that little had changed. How can we do better?

Dougie Muego 2026