D What does it mean to be Scottish and European?

An introduction to this occasional blog

For me as a schoolboy studying higher Art in the 60’s, Europe was about the architecture of classical Greece and Rome.

For me as an Art teacher in a Scottish Secondary School it meant Art Nouveau in Scotland Vienna, Belgium, the Netherlands and France.
It also meant two trips with school kids to Venice to see some of the best of European art and architecture from the late Gothic and the Renaissance.

But Modernism and the International style were the things which I found more relevant to the way we live, to making Art and to Designing. Of course as a teacher, there was always also the influence of the Bauhaus, with the magnetic pull of it’s teaching methods and its achievements.
As I studied Modernism and read more deeply about it, I realised it was much more than just a “cool” look. It was in fact underpinned by great ideas, a way thinking and a philosophy, and that these ideas were European ideas, not British. For Modernism and its ideas found little comfort in the Britain of the Empire.
Instead, these ideas about architecture and design popped up in France, the Netherlands, Germany and Czechoslovakia the 1920’s and 30’s before the Nazis came to power. These same ideas then found their way to America and flourished there.

Now today in Europe and America some exceptional buildings in this style survive. Some have been painstakingly restored and can now be visited.
And these visits are a revelation, for they showcase the best that can be done – we can see genius at work.
Nor is it just about the buildings themselves, but about wider the communities in which they are located. It’s also about the complex social organisation and daily life of European towns and cities today.
This then, is quite a different European experience to two weeks on a beach in the sun. But there’s something else. For knowledge of these buildings also poses questions for us, such as “How do we in Scotland ensure our cultural connections with such beautiful and desirable European ideas?” “How can we show people what’s out there?” “How can we share our appreciation of this fantastic stuff?”. And, of course how can we continue to do this in the midst of British political indifference, even hostility?
And also, why should we put this connection at risk? This thought coupled with the feeling that having the right European connection may also depend on moving towards Scottish Independence.
So I do declare my preferences. Brexit is not for me!

The posts and videos on this site, record something of my reaction to what I found In Europe, whether about Art, Music, Performance, Film or Design. Occasional blogs are added from time to time.
As for travelling there and having a look for yourself?
I would recommend it to anyone!

D

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